Last week I wrote up my first article for Korea’s number one English newspaper - The Korea Herald. I’ll be covering live shows every two weeks. Here’s the article:
Looking for live music? Get down to one of Hongdae’s small, dank live venues and watch some seriously interesting bands from a variety of genres. The GMC Records New Year Fest 2008 show with eight quality hardcore bands on the line-up was fantastic. While each band drew its influence from hardcore and metal, they all had something unique to offer.
The venue, Liveclub Ssam, is not far from Hongik University. Upon entering, you are riveted to the lime-colored walls as you head down into the basement where the stage is. The walls are sound-insulated; two large rope-wrapped pillars tower down the center; and the not-too-small stage can be clearly seen from most parts of the room. This venue has a decent PA, and is rigged with an excellent lighting system. The sound and lighting staff make good use of the facilities, helping to showcase the bands to their fullest.
The crowd was an interesting mix, with a group of young teenagers at the front of the stage, a group of boys wearing cute animal outfits in the center, and the slightly older folks hanging back a bit, or sitting in the few seats at the back of the room.
The first band, Apop, was the youngest and most attractive- looking of all the bands, and, as their name suggests, they worked pop into their hardcore sounds. Their emotional hardcore style was easily the most accessible and catchy of the night. They set the atmosphere, and younger people were soon jumping around. The next band, Ninesin, had a similar set-up, but with the addition of a DJ adding effects. Their energetic front man made full use of the stage, while the band played solidly throughout their set. Their energetic performance got a positive reaction from the crowd.
Next up were Knockdown, which has elements of death metal, as well as hardcore. Their deep, low vocals cut through the crowd. When the rather large and cocky looking front man talked to audience, impolite Korean and foul language flowed out of his mouth, and his words were clearly heard. Soon, the boys wearing animal costumes surged forward with their arms swinging, and merged into the group gathered at the front, creating a huge mosh-pit. This continued for the rest of Knockdown’s tight and well-played set.
Finishing the first half of the night was Maze, a five-piece group featuring the only female performer of the night. Maze blazed through their set with tight riffs and a decent range of vocal noises; their set ended with a roar of cheers from everyone.
Samchung kicked off the second half of the night. Their five- man line-up laid down a variety of riffs, and the dual vocals added some extra variety. Their songs were on the epic side at times, but were graced with some excellent guitar solos.
Sixth on the bill was Captain Bootbois, whose hardcore sound was layered with melodic tunes from the oddest looking guitar. The positive-sounding nature of their songs begged you to sing along, and that we did.
The next band, 13 Steps, hailing from Jeonju, were my most eagerly anticipated act of the night. I had first heard them back in Wales, but tonight was my first chance to catch them live. They didn’t disappoint, with more stage dives than you can shake a pointed finger at; the crowd exploded. Their short songs draw you in, and, before you know it, they end the set, leaving you begging for more.
Finally, Vassline took to the stage and carried on where 13 Steps left off. Playing hardcore with a large range of sounds, their energetic vocals made them the crowd’s favourite. Some dedicated fans sang along with the vocalist, and everyone else exploded in a frenzy. It was a high-energy and satisfying end to the evening.
Korea’s hardcore scene is loud, aggressive, and has a great sense of community — exactly what it should be. The bands promoted each other and gave informal lectures on how we can support the scene. Judging by the quality of this night, I’ll definitely be getting down to more shows.
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