A couple of weeks ago I went to a show that I wrote a review about for a national newspaper here in Korea. Here is the article:
Saturday’s “Anyone can play punk rock” show started badly, progressively got better, and finished with the crowd begging for more. Held at Skunk Hell in Hongdae, a larger crowd would have helped the atmosphere and a heads-up on who was playing might have brought more people in.
Nevertheless, Seoul’s punk rock scene is catchy and fun, and will continue to develop as it draws a larger base of supporters.
First on Skunk Hell’s bill was a band whose name combines the names of two fairly popular Korean bands — No Brain and Crying Nut. However, once the starting time came around, the audience was surprised to see no instruments on stage and a girl in a cute punk outfit standing alone — looking a little embarrassed. So much for “Let’s meet at 10.”
Apparently, her band couldn’t come, so she decided to go it alone. Kudos to her fearlessness. Her aggressive vocals soon crushed her cute punk image, and after one song, she left the stage.
Second up was the three-piece, Use Your Head. Not impressive. They played a set of cover songs and looked quite awkward on stage. They weren’t very tight; nor were they combining sounds very well. However, individually, the members all had talent and I’m sure with more experience, they could come together well and blossom into a good young band. Finishing up the first half of the night was Hi Bud. More cover songs from this band and a broken bass guitar didn’t exactly help their show. They were loud and aggressive but really didn’t inspire me at all. On the plus side, the guitar player was technically quite proficient.
The second half of the night was a lot stronger than the first. After rocking out in the crowd for the most of the night, Full Ahead Romance took to the stage and, from the first song, you could tell they were playing music: because they love it. They confidently played a punk set of their own songs and a few covers. They even synced their actions during a couple of songs, which looked a little cheesy (it is punk, after all), but they get points for effort.
As the night went on, the bands got better, and The Phat Bananas were no exception. Their punk rock sound was tight, enhanced by two dueling guitars and the vocalist’s edgy, lasting voice. They looked good together on stage as they ripped through a strong set. A slightly pop sound made them accessible for the average punk fan.
A fashionable three-piece rock band, Jounkuk Bidoolgi Younhap, or National Pigeon Unity, aggressively took the stage next. They were loud, aggressive and epic. They made full use of the stage, climbing onto whatever they could, and challenging each other to push themselves harder.
Skunk Hell is closely related to Skunk Label Records, which has put out releases by various punk rock bands. The venue is tiny and dark; the walls are decorated with hundreds of black and white flyers from previous shows; a table covered in graffiti lines the front of the stage; and a booth at the back sells CDs.
To get there, go to Sangsu Station, Line No. 6, Exit 2, walk left and follow the road until you see a 711 on the left side. The venue is opposite 711, up the hill.
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